Review: The Secret History of Audrey James

I, like most people, fell immediately in love with Heather Marshall’s debut novel Looking for Jane when I read it back in 2022. It was intriguing and well-written and I loved that it featured a piece of Canadian history. I was also so surprised it was a debut because it was just so damn good. Obviously, I was looking forward to her sophomore novel. The time has come and The Secret History of Audrey James is now out in the world and it will be a huge hit with historical fiction fans. I absolutely adored it.

Here’s the book’s description:

Sometimes the best place to hide is the last place anyone would look.
Northern England, 2010
After a tragic accident upends her life, Kate Mercer leaves London to work at an old guest house near the Scottish border, where she hopes to find a fresh start and heal from her loss. When she arrives, she begins to unravel the truth about her past, but discovers the mysterious elderly proprietor is harbouring her own secrets…
Berlin, 1938
Audrey James is weeks away from graduating from a prestigious music school in Berlin, where she’s been living with her best friend, Ilse Kaplan. As she prepares to finish her piano studies, Audrey dreads the thought of returning to her father in England and leaving Ilse behind. Families like the Kaplans are being targeted as war in Europe threatens.
When Ilse’s parents and brother suddenly disappear, two high-ranking Nazi party members confiscate the Kaplans’ upscale home, believing it to be empty. In a desperate attempt to keep Ilse safe, Audrey becomes housekeeper for the officers while Ilse is forced into hiding in the attic—a prisoner in her own home. Tensions rise in the house and the chance of survival diminishes by the day. When a shocking turn of events pushes Audrey to become embroiled in cell of the anti-Hitler movement - clusters of resisters working to bring down the Nazis from within Germany itself - Audrey must decide what matters most: saving herself, protecting her friend, or sacrificing everything for the greater good.
Inspired by true stories of courageous women and the German resistance during WWII, this is a captivating novel about the unbreakable bonds of friendship, the sacrifices we make for those we love, and the healing that comes from human connection.

I know what you might be thinking. Another WWII novel? Told from dual timeline/perspectives? Does the world need yet another one of those? Perhaps I’m blinded by how much I loved Marshall’s debut but I definitely think we needed another one of those. (And I say this having recently DNF-ed a historical fiction by another author I loved that just wasn’t telling me anything new. So, yes, I can be objective.) A WWII historical novel has to prove it’s going to give me a new perspective on a time period that’s been written about time and time again. And I immediately got the sense that Marshall’s would be different as soon as I started it.

It helped immensely that Audrey and Kate both were intriguing characters. They both seemed like women I would like (how I wished I could have sat with them to watch Bake Off) and there were depths to them both that kept me curious about their pasts. And their pasts weren’t easy and they both made some decisions they probably would have liked to take back. And they both helped each other, too, which I liked. Kate allowed Audrey to finally tell her whole story and Audrey convinced Kate that hanging onto some of the feelings Kate had been keeping buried weren’t helping her and she needed to properly grieve and move on.

I also really liked that Audrey got the chance to tell Kate her story. Too often the “present” day character has to make guesses or rely on historical documents to figure out what happened during the war. But in this book, Audrey told the story herself and we, the reader, got to hear about it alongside Kate. It was surprisingly refreshing.

I mentioned that Audrey and Kate’s pasts weren’t easy. It was, as you’d imagine, especially hard to read some of Audrey’s memories from her time before and during the war. As I was reading about what was happening to the Kaplans and families like theirs, it hit me that Marshall was timing the start of the novel with Kristallnacht, which took place in November 1938. It was heartbreaking.

I loved The Secret History of Audrey James. Heather Marshall has firmly placed herself on my “favourite authors” list and I couldn’t be happier about it. She writes amazing historical fiction with immense talent and a feminist lens. I love that she looks back at history, asks, “But what were the women doing?” and then proceeds to tell us their stories. Historical fiction readers must pick up Marshall’s latest novel. I think you’ll love it.

*An ARC of this novel was provided by the publisher, Simon & Schuster Canada, in exchange for review consideration. All opinions are honest and my own.*

Review: Tomorrow is for the Brave

It’s been awhile since I’ve devoured a book in one sitting but the long weekend was too good an opportunity to pass up and I just could not put down Tomorrow is for the Brave! I’ve read a number of Kelly Bowen’s novels and this one definitely gripped me the most!

Here’s the book’s description:

1939, France: Lavish parties, fast cars, and a closet full of the latest fashion—to the average eye, socialite Violet St. Croix seemingly has it all. But what she truly wants is a life full of meaning and purpose. So when France falls to Germany, Violet defies her parents’ wishes and joins the war effort. With her impeccable skill for driving under pressure, she is soon sent to North Africa to shepherd French Foreign Legion officers carrying valuable intelligence through dangerous territory.
But as the Allies encounter one mishap after another, Violet becomes convinced there is a spy in their ranks. And when her commanding officer is murdered, Violet realizes she might be the only one who can uncover the traitor and save the lives of countless soldiers on the front lines. Convincing others to believe her is difficult enough. Finding someone she can trust just might be impossible.

This is a historical fiction novel for those who like a lot of action along with their history (Kate Quinn fans, I’m looking at you). Violet’s work is dangerous - and that’s before she finds out there’s a spy in their midst. Between the battles and the traitor storyline, it’s no wonder I was flipping pages quickly to find out what on earth was going to happen!

The spy part of the story probably could have been a little bit stronger. I could see that Bowen was trying to toss in some red herrings and even I wasn’t sure who the spy was. I did have it narrowed down to two people quite early on and some of the hints Bowen was giving seemed a little heavy handed. But I think that’s just me (someone who enjoys a good mystery as much as a historical novel) being very particular and perhaps a tad nitpicky. It didn’t take away my enjoyment of the story.

The author’s note in this novel was just as robust as I hoped it would be. Bowen explains which timelines she adjusted slightly and gave a lot of insight into her inspiration. I absolutely must find out more about Susan Travers, the real life woman who inspired Violet’s role in the war.

Given all the WWII novels I read (and there have been A LOT of them), I always appreciate when an author gives a new perspective on the battles. In Bowen’s case, she focused on what was happening in Africa during the war. I didn’t know much beyond the fact that fighting took place in North Africa so was interested to have a different look at WWII. I also appreciated that there was a focus on the French Foreign Legion, something else I wasn’t very familiar with. I’ll have to do some more research!

Violet was, to start, a tad…I’m going to say insufferable but that’s not quite the word I’m looking for here. She was just so sheltered - not that I blame her for her lack of worldliness. She wasn’t seen as a daughter - or even her own person - in her family. She was a pawn, a thing, to her father who only took interest in her to make sure she wouldn’t embarrass the family name and would someday marry someone suitable - of his choosing - who would make the family "stronger". Her thoughts and feelings did not matter at all. Which, naturally, made my blood boil. It can be so hard to read stories like this from a modern, feminist perspective and not feel enraged. I just had to hope that Violet would come to her senses and realize that she could absolutely survive on her own and live her own life.

Tomorrow is for the Brave was an entertaining and gripping historical fiction novel that I could not put down. Kelly Bowen is very talented and I think every historical fiction fan should make sure to pick up a copy of her latest book.

*An egalley of this novel was provided by the publisher, Forever, via NetGalley in exchange for review consideration. All opinions are honest and my own.*

Review: Every Time We Say Goodbye

I’ve been reading Natalie Jenner’s work since her debut novel, The Jane Austen Society, was released in 2020. She writes really thoughtful and quite interesting historical fiction stories with characters who feel so familiar even though they lived so long ago. Every Time We Say Goodbye is her latest and readers will recognize some of the characters in this tale and will feel as though it’s like revisiting an old friend.

Here’s the book’s description:

In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry's last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job in as a script doctor on a major film shooting in Rome’s Cinecitta Studios. There she finds a vibrant movie making scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the liberation of the post-war cinema and the restrictions of the Catholic Church that permeates the very soul of Italy.
As Vivien tries to forge a new future for herself, she also must face the long-buried truth of the recent World War and the mystery of what really happened to her deceased fiancé. Every Time We Say Goodbye is a brilliant exploration of trauma and tragedy, hope and renewal, filled with dazzling characters both real and imaginary, from the incomparable author who charmed the world with her novels The Jane Austen Society and Bloomsbury Girls.

There was something niggling at me while reading this one, making me wonder why I wasn’t loving it as I expected to. As talented as I think Jenner is, I didn’t feel like she quite brought all the stories together in a cohesive way. There was a lot going on - in two timelines - with a lot of characters. Probably too many characters. I appreciated that Jenner wanted to include some of the real folks who would have been in Italy at that time (Sophia Loren and Ava Gardner to name two), but I felt they didn’t really add anything to the story. Another blogger put it well when we were talking about why this one didn’t hit as we expected. We both love Natasha Lester’s novels and she is a master at sharing information about a specific topic (usually fashion in Lester’s case and the film industry in Jenner’s) and weaving a historical story around it. The weave in Jenner’s story was loose and I think that’s why we were struggling a bit.

All that said, I didn’t find this to be a bad book. I was still interested in the story and wanted to find out how it all ended. I was invested in Vivien’s life and wondered how the tale of la scolaretta would unfold. How did a young, female resistance fighter tie into Vivien’s story? (You’ll have to read it to find out, obviously!)

I remember learning about the Hollywood blacklist and the House Un-American Activities Committee (HUAC) way back in university. It’s a fascinating and heartbreaking part of history. So many folks in the film industry were pressured to give up information on their colleagues during the witch hunts simply because Hollywood was trying to prove they were patriotic and not supporting communism. Jenner’s novel didn’t feature the hearings or what was happening in Hollywood. Instead, it showcased how many American filmmakers fled to Europe (the reverse of what happened during the war) to avoid persecution. I don’t think I’ve come across many novels that feature this so heavily and I’d be interested in reading more fiction stories about it.

Even with the inclusion of the WWII storyline, Jenner’s novel is a quieter historical fiction tale. She’s explored topics and a point in time that some may not have read about (I certainly haven’t seen it often in novels) and gives us a glimpse of what life could have been like in 1950s Rome. The war is behind them, but the effects of it were still being felt strongly and on an almost daily basis. It’s not going to be for everyone but if you’re genuinely interested in history and getting a feel of what the time period could have been like? Jenner’s novels are for you.

Every Time We Say Goodbye by Natalie Jenner wasn’t a winner for me but I’m still glad I read it. I enjoyed getting a glimpse into the film industry of 1950s Rome and revisiting characters I had met in her previous novels.

*An egalley of this novel was provided by the publisher, St. Martin's Press, via NetGalley in exchange for review consideration. All opinions are honest and my own.* 

Review: Lighting Strikes the Silence

Gather around, my friends. It's the time of year when I write, in length, about how amazing the Lane Winslow mystery series is. Iona Whishaw has created a heroine and a series I absolutely cannot get enough of. Lightning Strikes the Silence is the latest installment (the eleventh!) and it was everything I needed it to be!

Here’s the book’s description:

A warm June afternoon in King’s Cove is interrupted by an explosion. Following the sound, Lane goes to investigate. Up a steep path she discovers a secluded cabin and, hiding nearby, a young Japanese girl injured and mute, but very much alive.
At the Nelson Police Station, Inspector Darling and Sergeant Ames, following up on a report of a nighttime heist at the local jeweller’s, discover the jeweller himself dead in his office, apparently bludgeoned, and a live wire hanging off the back of the building.
As Lane attempts to speed the search for the girl’s family with her own lines of inquiry, Darling and his team dig deeper into a local connection between the jeweller and a fellow businessman that leads across the pond to Cornwall and north to a mining interest on the McKenzie River.
Offices are being ransacked and someone is following Lane. Through the alleyways of Nelson onto the country roads and woods trails of King’s Cove, the latest Winslow mystery is a study in bygone promises and lingering prejudice.

I love Whishaw’s novels for a number of reasons so I’ll go through them all and how I felt about them while reading this latest book. The first is the mystery element. I’m almost always surprised with how things turn out but not in a jaw-dropping, I-never-saw-this-coming kind of way. Part of the surprise, for me, could be because there are usually two cases happening simultaneously, sometimes connected, sometimes not. There’s always something Lane finds herself caught up in (much to Darling’s dismay!) as well as a case the police in Nelson are working on solving. I find the two mysteries allow me to just go along for the ride, trusting that all will be revealed at the right moment. In this book, I had a feeling I knew who the murderer was a little earlier than usual but the reasoning and how it all unfolded was still enough of a surprise to satisfy me.

Speaking of the mystery, I was lucky enough to see Whishaw at an event the week before publication day. She was interesting, delightful, and so much fun. I’m really glad I made the trek to the event! Given the multiple mysteries in her books, I was surprised to learn that Whishaw is an absolute pantser. She doesn’t plot out her stories and sometimes doesn’t even know who the murderer may be. She also said (and I love this) that when a dead body comes along as she’s writing, she has a personal rule that the body must stay and she just has to figure out what to do about it. Fascinating!

I also adore the historical aspect of these novels. I’m always learning a little nugget (or two…or three…) when I read Whishaw’s books, which I love. Recorded Canadian history may be a little more recent than history from other countries, but it is vast and so much is unknown or not talked about nearly enough. In this novel, Whishaw shines a light on the expulsion and internment of Japanese folks during World War II. This was yet another moment in history when white settlers thought they knew best and banished a group from a particular area. And for those who say that at least Canada wasn’t as bad as the US? Not in this case. It took far longer for Japanese individuals to be allowed to move back to the coastal areas of British Columbia than it did their counterparts in the United States. It took until 1949 until those of Japanese descent (even those born in Canada) were allowed to move freely throughout the country.

Finally, I love the characters Whishaw has created. Lane is based on her mother (she said during the event that people always ask why she “had” to make Lane so beautiful. She says it’s because Lane is based on her mom and her mom was beautiful, therefore Lane must be beautiful, too!) but even with Whishaw’s mom as the inspiration, Lane is very much her own woman and I love her so very much. There are many, many characters in King’s Cove (based on the real town of Queen’s Bay, as I learned) and Nelson but every single one of them has a purpose and a history. The novels just wouldn’t be the same without the extremely strong cast of secondary characters. I particularly liked getting to see another side of one King’s Cove character in this story!

Lighting Strikes the Silence was an absolute joy to read. Iona Whishaw has written another winner in her Lane Winslow mystery series and I cannot wait for everyone to read it. And if you haven’t started the series yet, well, what are you waiting for? Get reading!

*An egalley was provided by the publisher, Touchwood Editions, in exchange for review consideration. All opinions are honest and my own.*

Review: Disturbing the Dead

Presenting: the book that caused a major reading slump! I loved every second I spent reading Disturbing the Dead by Kelley Armstrong and had no idea what to do with myself when it was over. It’s the third book in her Rip Through Time series and it’s by far my favourite - they just keep getting stronger!

Here’s the book’s description:

Victorian Scotland is becoming less strange to modern-day homicide detective Mallory Atkinson. Though inhabiting someone else’s body will always be unsettling, even if her employers know that she’s not actually housemaid Catriona Mitchell, ever since the night both of them were attacked in the same dark alley 150 years apart. Mallory likes her job as assistant to undertaker/medical examiner Dr. Duncan Gray, and is developing true friends―and feelings―in this century.
So, understanding the Victorian fascination with death, Mallory isn't that surprised when she and her friends are invited to a mummy unwrapping at the home of Sir Alastair Christie. When their host is missing when it comes time to unwrap the mummy, Gray and Mallory are asked to step in. And upon closer inspection, it’s not a mummy they’ve unwrapped, but a much more modern body.

A friend mentioned that she got a little bit bored with the mystery and I can kind of see what she means. While I was invested in finding out what happened to the “modern” mummy, the other bits of the story were slightly more compelling. I wasn’t bored by it though and enjoyed the other characters I got to “meet” while Mallory and Gray tried to help solve the murder (except for, you know, the murderer - not a fan of them!).

I very much enjoyed getting back to Victorian Scotland, especially since I was just in Edinburgh (again) over Christmas. I found myself constantly Googling areas and checking my photos to see if we had ended up in some of the same places Mallory had been describing. The city, even now, is full of history that is almost impossible to fathom, especially for a tourist who’s only there for a week or so. (As busy as it was over Christmas, something I wasn’t quite expecting for some reason, it was still a remarkable place to spend the holidays.)

At the risk of being too spoilery, we get a bit more information about the time travel aspect of the story in this book. Which is kind of why the mystery took a bit of a backseat. I think my jaw was hanging open for a good portion of the story because I really wasn’t sure how it was all going to turn out!

This series may frustrate history buffs but for those of us who enjoy history but don’t actually study the Victorian era? Oh, it’s perfect. I love the time period, the location, the characters, the time travel, and the mysteries. It’s everything I love wrapped up in one hell of a compelling series. One that I really hope continues!

Historical fiction and mystery lovers will thoroughly enjoy Kelley Armstrong’s latest book, Disturbing the Dead. The Rip Through Time series is incredibly entertaining and is well worth a read. (Even if it did give me a huge book hangover!)

*An egalley of this novel was provided by the publisher, Minotaur/St. Martin’s Press, via NetGalley in exchange for review consideration. All opinions are honest and my own.*

Review: The Lost Lover

The Lost Lover is the third in a four book historical fiction series by Karen Swan that gets the reader ever closer to solving a mystery that’s been teased and alluded to over three books. In this book, we get to hear Flora’s side of the story and it went in a direction I wasn’t expecting, which helped me keep turning the pages to see how much was going to be revealed.

Here’s the book’s description:

Young Flora MacQueen has always dreamed of more than a hard life on the small Scottish island of St Kilda. And when she catches the eye of visiting adventurer and wealthy businessman James Callaghan her future seems brighter.
Only, as the islanders prepare to leave their homes for the final time, Flora finds her dreams shattered. With her beauty her only currency she must step forward in ways that would have been unthinkable back home in order to support her family. Soon Flora is the toast of glamorous Paris. Fame and fortune are hers for the taking but she knows only too well by now that rich men make empty promises.
But then a secret comes to light that will change everything . . .

I think if you haven’t read The Last Summer or The Stolen Hours, the first two books in the Wild Isles series, don’t read The Lost Lover. You’ll be, well, lost! And you really won’t understand why you’re reading about certain things and what kind of importance they have. I think that’s kind of why I didn’t find this one to be as strong as the others. I don’t know if it was my mood or the book itself, but it really just felt like a placeholder until we get the fourth book, FINALLY start moving forward in time again, and find out what, exactly, happened on that island.

This book tells Flora’s story as the residents of St. Kilda spend their last winter on the island before being evacuated to the Scottish mainland (can you call another island “mainland”?Main island? Big island?). The story starts back at the beginning where we meet all three young women and then follows them as important (in the plot sense) characters visit (and leave) the island. The thing is, the reader has already experienced some of the major plot points in Effie’s story (book one) and then in Mhairi’s story (book two). By this point, I felt kind of over it and wanted new information. Which I didn’t really get until the very last page of the book (there was another bit of news part way through but it didn’t surprise me nearly as much as the reveal at the end).

I found that Flora’s story really emphasized how difficult it would have been for the St. Kilda residents to be plucked off their island and set down in a large town (or even a city) full of sights, sounds, smells, and tastes that they’d never, ever experienced before. And were definitely not prepared for. The islanders didn’t even use money on St. Kilda - how were they to navigate paying for anything? Or even knowing what they needed to pay for? I feel like some of the folks would have been able to gain understanding of their new world at a more leisurely pace (though it would have felt breakneck to them) but Flora was thrust into a completely different world, one the average person would have struggled with. She had no idea what was being asked of her and it infuriated me that those she met didn’t try to explain it. It wasn’t that they were trying to take advantage of her naivete. It was more, they knew she didn’t know any better and just…didn’t care to help her learn. Sure, she learned how to be presented like a shiny object, how to look beautiful, and how to perform. But social skills? Those she was severely lacking in the world she now found herself in. All I could do was hope that things would work out for her.

Reviewing a book in a series is always tricky but this one feels harder, somehow. If I say too much, the first two books may get spoiled. Too little and it’s just a bunch of words on a screen that aren’t really saying much of anything. I’m glad I got to read Flora’s side of the story in The Lost Lover but I found myself wishing we could just get to book four in Karen Swan’s Wild Isles series sooner rather than later. I’m still very much looking forward to that last book and am so impatient because I must find out what happened on that island!

*A copy of this novel was provided by the Canadian distributor, Publishers Group Canada, in exchange for review consideration. All opinions are honest and my own.* 

Review: Death on the Lusitania

For all the historical fiction I read, I didn’t know much about the RMS Lusitania. I vaguely recalled something from history class telling me it sank but that was about it - I didn’t know when, how, or why. Enter Death on the Lusitania by R.L. Graham, a husband and wife author team. (Sadly, Marilyn Livingstone was diagnosed with pancreatic cancer and passed away while the book was being written.) This novel is the first in a historical mystery series and I was interested because the authors were born in Canada, I didn’t know much about the ship, I like historical mysteries, and, well, that cover! Isn’t it stunning? The story held between the gorgeous covers kept me interested and I really wasn’t sure whodunit until all was revealed!

Here’s the book’s description:

Welcome on board the Lusitania’s final voyage . . .
New York, 1915. RMS Lusitania, one of the world’s most luxurious trans-Atlantic liners, departs for Liverpool and war-torn Europe. Among those on board is Patrick Gallagher, a civil servant in Her Majesty’s government tasked with discreetly escorting a British diplomat back to England in relation to charges of suspected treason.
When a fellow passenger, Jimmy Dowrich, is found shot to death in his cabin, the captain asks Gallagher to investigate. Knowing something of the man’s past, Gallagher realizes that the problem will not be simple; and also, the body was discovered in a locked cabin with the key inside and no gun to be found.
Gallagher believes that one of his fellow passengers is a deadly killer. But many of those on board are harbouring secrets of their own, and his questioning reveals that several had a motive for ending Dowrich’s life. He fears that the killer could strike again to protect their true reasons for being on board and all the while, the ship sails on towards Europe, where deadly submarines patrol the war zone . . .

I liked that Graham chose to have a countdown to the sinking of the ship at the start of each chapter. A bit morbid, yes, but it amped up the tension that was already present in the novel in a really good way. You know the ship is doomed but, oh by the way, people are being murdered on board, too! As if the guests didn’t have enough to worry about, sailing into a warzone and all. That part did make me think about what I would have done in the guests’ position. Would I have still chosen to sail, knowing there was a very real chance a U-boat would torpedo the ship?

Since I didn’t remember much about the Lusitania other than it had sank at some point in history, I definitely didn’t know that there was a second explosion after the torpedo hit the ship and the reason for that second explosion has never been determined, at least not definitively. She was carrying ammunition, though she was not armed, so it’s possible that some of her cargo was the cause of the second explosion. Graham took that possibility and wondered, “what if this happened?” And this became Death on the Lusitania. They were clear from the outset that they were reimagining history, to an extent, and I appreciated both the note and their creativity.

The historical aspect may have charmed me ever so slightly more than the mystery in this novel, but that’s not to say I was unimpressed with the case. This is the set up to the start of a series starring Patrick Gallagher, who is, ostensibly, a civil servant for His Majesty’s government (something I realized while writing this review - the book's description says “Her” Majesty but there was a King on the throne in 1915, George V - grandson of Queen Victoria and grandfather of Queen Elizabeth II). With the Captain (the only real character in the book) slightly occupied with getting his ship through the war zone in one piece, he tasks Gallagher with figuring out who decided Dowrich wouldn’t live to see the ship’s destination. While I questioned some of Gallagher’s methods (sometimes it seemed like he was giving away too much, like, “Was it so-and-so who told you such-and-such?” and the suspect says, “Why, yes!” but…was it or did they just grab hold of a piece of information that’ll help them?), I still couldn’t put together who the murderer was. Part of me wonders if I couldn’t figure it out because it just wasn’t well done and was far too confusing. But I’m choosing to give Graham the benefit of the doubt since everything else was so well written.

Death on the Lusitania was a really solid start to a new historical mystery series. I don’t know if R.L. Graham will continue with the series now but I do hope to see another Patrick Gallagher mystery in the future.

*A copy of this novel was provided by the Canadian distributor, PGC Books, in exchange for review consideration. All opinions are honest and my own.*

Review: A Real Somebody

To know me is to know I love historical fiction. I’m pretty basic in my usual historical fiction tastes, tending to read all the WWI and WWII fiction, so I like to branch out every once and awhile. And when I find a Canadian historical fiction author writing a book set in Canada? I’m even more interested. I was intrigued by Deryn Collier’s novel A Real Somebody because it was inspired by her aunt and took place in post-war Montreal. Unfortunately, the book did not thrill me and I eventually gave up reading it.

Here’s the book’s description:

Montreal, 1947. To support her once-prosperous family, June Grant joins a steno pool in a prestigious advertising firm. For June, it’s hard to imagine having the kind of life her parents want—the kind of life her sister Daisy has, with a well-off husband and two precocious kids.
But Daisy might not be a picture-perfect housewife after all. As June makes her own waves in the advertising world, she probes a hidden side of her sister’s life.
June’s discoveries upend everything she thought she knew about her sister while challenging her own inner conflict about pursuing her dreams versus living up to expectations. Being a dutiful housewife might mean something else entirely.
Based on the true story of the author’s aunt, A Real Somebody charts the journey of a talented young writer who dares to break the conventions of her time during one pivotal season of her life.

I was really intrigued by the look at advertising in Montreal in the late 40s (I work in comms, of course I’m going to geek out over a look at advertising!) but it was such a small part of the story that even that couldn’t convince me to finish reading the book.

I’m not sure if the reader was expected to know who June Grant was because I certainly didn’t. So, because I had no idea who she was, I wasn’t sure why I was supposed to care about June, the fictional character. And, let me tell you, it sucks to not care about a character’s life when you know they’re supposed to have been based on a real person - the author’s aunt, no less. I’m sure part of my frustration at June came from unintentionally putting my modern views on her life in the 40s. Times were different, I get it, but I was still annoyed at the treatment of women, among other things.

I knew I wasn’t going to finish reading it when I had no desire to get back to the story. I tried to skim and read the last couple of chapters but the story seemed to have veered off in such a bizarre way and, even allowing for the fact that I didn’t read the whole thing, it ended strangely and abruptly.

All that said, Collier’s writing wasn’t one of the reasons I stopped reading. I would be willing to give another of her novels a go if it seemed like a topic that would interest me.

A Real Somebody was, unfortunately, a real miss for me. I wanted to enjoy Deryn Collier’s novel because it sounded like something I could really have a good time reading but the story completely missed the mark for me.

*A copy of this novel was provided by the Canadian distributors, Firefly, in exchange for review consideration. All opinions are honest and my own.* 

Review: The Disappearance of Astrid Bricard

Natasha Lester has become a Must Read author for me ever since I read her novel The Paris Secret at the end of 2020. I love how she approaches historical fiction and how she weaves (pun intended) fashion into her stories. The Disappearance of Astrid Bricard is her latest and it’s another winner.

Here’s the book’s description:

Three generations. One chance to prove themselves. Can the women of the Bricard fashion dynasty finally rewrite their history?
French countryside, Present: Blythe Bricard is the daughter of famous fashion muses but that doesn't mean she wants to be one. She turned her back on that world, and her dreams, years ago. Fate, however, has a different plan, and Blythe will discover there is more to her iconic mother and grandmother than she ever knew.
New York, 1970: Designer Astrid Bricard arrives in bohemian Chelsea determined to change the fashion world forever. And she does―cast as muse to her lover, Hawk Jones. And when they're both invited to compete in the fashion event of the century―the Battle of Versailles―Astrid sacrifices everything to showcase her talent. But then, just as her career is about to take off, she mysteriously vanishes, leaving behind only a white silk dress.
Paris, 1917: Parentless sixteen-year-old Mizza Bricard has made a to be remembered on her own terms. Her promise sustains her through turbulent decades and volatile couture houses until, finally, her name is remembered and a legend is born―one that proves impossible for Astrid and Blythe to distance themselves from.

There are some definite Daisy Jones and the Six vibes about this story but Lester’s novel is entirely her own. The focus is on fashion instead of music but the time period is similar, as is the gossip, sex, drugs, and rock and roll atmosphere. I wouldn’t say music or fashion are huge passions of mine but Lester, like Jenkins Reid, was able to hook me with a world I may never have read about. Which would have been a damn shame.

Like Lester’s other novels, and many other historical fiction stories, this was a multi-timeline novel. I’m honestly getting a little over that…would we call it a trope? Storytelling choice? I don’t know why it’s been such A Thing in historical fiction but here we are. But Lester uses the three timelines well, for the most part. The bulk of the novel is dedicated to Astrid and Hawk during the seventies as their personal and professional lives collided in a spectacular explosion. Then there was Blythe in what the book’s description calls “present” but is actually the 2010s (I want to say 2012?). Finally, Lester introduces Mizza in 1917 and follows her through both World Wars, focusing on what she was involved in during WWII. 

Mizza’s storyline is where things got a bit muddled which is interesting since, of all the characters, she’s the only person who actually existed. Lester notes at the end that much of Mizza’s background is unknown and, like a lot of French women who lived through World War II, she never spoke of what happened during that time. I don’t really mind when authors take liberties with real people, and I don’t think that was my issue with Lester’s treatment of Mizza. As intrigued as I was with Mizza and how the Bricard dynasty began, I felt like it was a totally separate story and didn’t quite mesh with Astrid and Blythe’s story. 

I never, ever feel like Lester does an info dump in her novels, which is surprising since there is always so much new-to-me information in her stories! I love love love how passionate she is about fashion and how she inserts interesting (and relevant) details into her novels about the world of fashion. She does her research on other historical tidbits too which make the novels feel authentic and such a joy to read.

The Disappearance of Astrid Bricard isn’t going to usurp The Three Lives of Alix St. Pierre as my favourite Natasha Lester novel but that doesn’t mean it’s not a great read. I still loved it! Other historical fiction lovers will find a story that is interesting, emotional, informative, and entertaining all at once. I definitely recommend it!

*An egalley of this novel was provided by the publisher, Forever, via NetGalley in exchange for review consideration. All opinions are honest and my own.*

Review: A Traitor in Whitehall

I’ve been happily reading Julia Kelly’s historical fiction novels since the publication of The Whispers of War in 2020 - which I LOVED (review here). I’m always excited when she has something new being published but I was especially excited when I learned her 2023 release would be a historical mystery. A Traitor in Whitehall is the first in a new series and I absolutely devoured it. It was so good!

Here’s the book’s description:

1940, England: Evelyne Redfern, known as “The Parisian Orphan” as a child, is working on the line at a munitions factory in wartime London. When Mr. Fletcher, one of her father’s old friends, spots Evelyne on a night out, Evelyne finds herself plunged into the world of Prime Minister Winston Churchill’s cabinet war rooms.
However, shortly after she settles into her new role as a secretary, one of the girls at work is murdered, and Evelyne must use all of her amateur sleuthing expertise to find the killer. But doing so puts her right in the path of David Poole, a cagey minister’s aide who seems determined to thwart her investigations. That is, until Evelyne finds out David’s real mission is to root out a mole selling government secrets to Britain’s enemies, and the pair begrudgingly team up.
With her quick wit, sharp eyes, and determination, will Evelyne be able to find out who’s been selling England’s secrets and catch a killer, all while battling her growing attraction to David?

I’ve been learning more about what kinds of mysteries I enjoy as I’ve been reading more and more of them. I don’t always love amateur sleuths but this one worked for me. I think because I could tell Evelyne was being groomed for working as a spy for the government during the war. Truthfully, that’s one of my catnip stories - show me a book about a female spy during World War II and I’ll grab it right out of your hands. The mystery itself was, I felt, well-written. I was always a step behind Evelyne and David and had no idea how it was going to all wrap up and that’s the way I like it. I was invested and intrigued the whole way through.

The description hints at a romance between Evelyne and David but don’t let that detract you if you’re not a lover of love stories. A frisson of attraction is there but it is so not the point of this story. I have a feeling they tucked that in there to appease the (mostly female) readers of the current historical fiction fad (you know, the types of books I love!). I liked the inclusion of the will-they-won’t-they because, for most people, love is a part of life and it made the story feel more authentic. Am I hoping they get together romantically in a future book? Absolutely. Will I be mad if it doesn’t happen in the next one? Definitely not. I’m here for the history and the mystery, not the romance!

Evelyne was a great character to spend time with. She had a past that was intriguing but she didn’t let it bother her or get in her way. She was smart and had a wonderful and loyal best friend. She was thrust into a wild situation and handled it well - and when she struggled, she learned from her mistakes. I cared about her so much by the end of the novel and I’m so glad this book is just the first in a series. I cannot wait to read more about Evelyne and see what she gets into next.

If you’ve read Kelly before, you know she’s a great writer of history. She never falls into the dreaded info dump trap and always manages to make you feel like you’re right there in the story with the characters. The novel starts near the beginning of WWII and I found it weirdly difficult to know that the bombing that’s begun during this story is only going to get worse for the characters. I also enjoyed the peek into Churchill’s War Rooms because I’m planning on visiting when I’m in London later this year.

As I’ve been writing this review, I’ve realized something: this book reminded me a little of Iona Whishaw’s Lane Winslow mystery series, which I absolutely ADORE. It’s well-written with a focus on history and a well-crafted mystery. The main character isn’t actually an investigator but she has a background/future in spying and other types of sleuthing. And she’s smart and someone who you love to read about. So, if you’ve enjoyed Whishaw’s novels, you might want to consider Kelly’s latest.

I loved A Traitor in Whitehall so much and am really glad Julia Kelly decided to try her (talented) hand at historical mysteries. I can’t wait for the next book in the series. Fans of mysteries will enjoy this novel just as much as historical fiction fans will. Pick it up - you won’t regret it!

*An egalley of this novel was provided by the publisher, Minotaur, via NetGalley in exchange for review consideration. All opinions are honest and my own.*

Cover Reveal: Everytime We Say Goodbye

If you've been around for awhile (thank you!), you'll know I love Natalie Jenner's work. I was immediately interested in her debut because, hello, Jane Austen! Her third novel, Every Time We Say Goodbye, is set to be released on May 14, 2024. Today I'm THRILLED to be part of the cover reveal for this new book.

But first - here's what the novel is about!

The bestselling author of The Jane Austen Society and Bloomsbury Girls returns with a brilliant novel of love and art, of grief and memory, of confronting the past and facing the future.
In 1955, Vivien Lowry is at a crossroads in life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Vivien's last chance for theatrical success. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job as a script doctor on a major film shooting in Rome’s Cinecittà Studios. There she finds a vibrant moviemaking scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the liberation of the post-war cinema and the restrictions of the Catholic Church that permeate the very soul of Italy.
As Vivien tries to forge a new future for herself, she also searches for the long-buried truth of the recent World War and the fate of her deceased fiancé lost in battle. Every Time We Say Goodbye is a bold and moving exploration of trauma and tragedy, hope and renewal, filled with dazzling characters both real and imaginary, from the incomparable author who charmed the world with her novels The Jane Austen Society and Bloomsbury Girls.

Other readers of Jenner's novels will recognize Vivien's name as Every Time We Say Goodbye is linked to The Jane Austen Society and Bloomsbury Girls by characters but, just in case you haven't read her previous books yet, rest assured that it is a stand-alone novel.

Before we get to the cover (it's coming!), here is a letter from Jenner to her readers.

Hello Dear Readers,

Every Time We Say Goodbye was the hardest book I will ever write, and the most rewarding.

It all started when I learned about the world-famous Cinecittà movie studio in Rome being used as a war refugee camp in the 1940s. People who had been stripped of everything—homes, possessions, even their most basic humanity—suddenly found themselves confined to life inside a “dream factory.” I decided to set my third novel during a very specific, very cool time in history—la dolce vita of mid 1950s Rome—while exploring the incredibly complex and haunting legacy of that city under German occupation during the Second World War.

I also wanted to know why Vivien Lowry, a character from my book Bloomsbury Girls, had been so angry all the time! I wondered if a woman could make the biggest mistake of her life and move past the regret in a way that benefitted her and the world around her. I never intended to write a dual timeline. I had been working on Every Time We Say Goodbye for nearly a year when the voice of a young female Italian resistance fighter codenamed la scolaretta—the schoolgirl assassin—suddenly showed up on the page one day. Having witnessed the bravery and sacrifice of so many to keep us safe during our world’s most recent challenge, I wanted to pay tribute to them. How fortunate am I, through the intimate and emotional power of historical fiction, to have the opportunity to do so.

I packed everything I could into this book: love and conflict, faith and religion, censorship and resistance, art and moviemaking, fashion and food, and cameos by favorite actresses such as Sophia Loren and Ava Gardner and characters from both The Jane Austen Society and Bloomsbury Girls (I, myself am terrible at goodbyes!).
I hope, more than anything, that Every Time We Say Goodbye gives readers the entertainment, inspiration and food for thought that nourished me throughout its writing.

Best wishes, Natalie

OK, are we ready? Here's the cover of the upcoming Every Time We Say Goodbye by Natalie Jenner.

Ah, isn't it STUNNING? I'd be immediately intrigued if I saw it at the bookstore.

About the Author
Natalie Jenner is the internationally bestselling author of The Jane Austen Society and Bloomsbury Girls, which have been translated into more than twenty languages worldwide. Born in England and raised in Canada, Natalie has been a corporate lawyer and career coach and once owned an independent bookstore in Oakville, Ontario, where she lives with her family and two rescue dogs.

Connect with the Author
Website * Twitter * Facebook * Instagram * Goodreads

Pre-order & Purchase Links

Amazon * Barnes & Noble * Bookshop * St. Martin's Press * Bookbub

Now that you're sufficiently intrigued, add Every Time We Say Goodbye to your Goodreads.

Thank you to the author and Austenprose for allowing me to be a part of this cover reveal.

Review: Learned by Heart

Emma Donoghue is a masterful writer so it’s always a treat to read her novels. Learned by Heart is her latest and features the life of a young Annie Lister as she comes of age at an English boarding school at the age of fourteen. It was well written and full of emotions but I have to say (though it pains me to do so), I’m not entirely sure if I, well, liked it? Let’s dive into trying to determine why that is, shall we?

Here’s the book’s description:

In 1805 fourteen-year-old Eliza Raine is a school girl at the Manor School for Young Ladies in York. The daughter of an Indian mother and a British father, Eliza was banished to this unfamiliar country as a little girl. When she first stepped off the King George in Kent, Eliza was accompanied by her older sister, Jane, but now she boards alone at the Manor, with no one left to claim her. She spends her days avoiding the attention of her fellow pupils until, one day, a fearless and charismatic new student arrives at the school. The two girls are immediately thrown together and soon Eliza’s life is turned inside out by this strange and curious young woman.

The first thing I struggled with was wondering if I was the book’s intended audience and whether or not that actually mattered (spoiler: no, I don't think it really does). You see, I didn’t really know who Annie Lister was. All I knew was that she was, somehow, a known and important figure in queer history. Because of my lack of knowledge, I wasn’t really sure of the reason behind the novel but I knew enough to know she was someone of importance. I try to go into books without much knowledge sometimes because I want the author’s point of view to educate me and then I’ll read more afterwards. In this case, I wish I had read Donoghue’s notes at the beginning of the novel instead of at the end, where they’re printed. It seems that Lister and her history are a bit of a pet project of Donoghue’s, someone she’s been interested in for many years and finally had the opportunity to write about. I respect that so much - that she was so interested that she wanted to write something for all of us to enjoy and learn from. I want to learn more about the histories that have been hidden from us - which is why I wonder if it matters that I’m a straight woman reading about queer characters. It honestly doesn’t - I know this - and I want to learn more but I just can’t help feeling that I lacked something going into this book. It’s the strangest feeling and one that I'm uncomfortable having because I think it's coming from a place of...well, we know that most books and histories have been told from a heterosexual perspective, which is the perspective I live my life from as a straight person. It's not that I can't read books from different perspectives, it's more that I think this book is especially for the folks that haven't seen enough of these stories from their perspective and my feelings, quite frankly, don't matter. Which, you know, I'm good with. But the overactive brain just can't shut off when pondering this story!

I can tell (after reading the notes at the end of the book) why Donoghue chose to set the book when she did. It’s partially because of new research about Eliza Raines, which is interesting to consider. If Donoghue had written a novel about Lister years ago when she first had a seed of an idea, it would have looked very different than it does in 2023. First, the world has now been able to watch Gentleman Jack which is about Lister (I haven’t yet but it’s on my very long to be watched list) and that’s shown there's an appetite for these stories that have never been told before and absolutely should be. Second, more information has come to light about Eliza and the role she may have played in Lister’s early life. The novel alternates between chapters taking place in 1805 and 1806 when the girls are in school and letters from Eliza to Lister in 1815. The letter chapters are shorter but are quite unsettling. You see, Eliza is in a mental institution at this time and it’s clear she’s struggling. They’re not easy chapters to read but they’re so well done. (And if you’ve read Room you know how well Donoghue can take unsettling topics and write the hell out of them.)

The last thing I want to touch on that has had my brain running in circles is the age of the girls. You’ll notice I’ve called them girls numerous times (and I’ll add a caveat here that it could be possible, again I don’t have all the information, that Lister may not have identified as a female but I’m going to keep using the female pronouns here). That’s because they were. They were fourteen and fifteen while they were at school, and they and their fellow students were just starting to grow into the adults they’d (hopefully) become. But, to me, they’re still kids. And I know kids of fourteen and fifteen are having sex and this was the 1800s when I’m sure there were teen girls being married off far too young. But my modern sensibilities couldn’t shake the fact that I was reading about underage girls having their sexual awakening. Is that prudish of me? Am I the weird one for finding that odd to read? And this has, of course, nothing to do with the fact that they were two girls. I would have been equally weirded out if it were two boys or a boy and a girl at the same age. It’s been a huge struggle to wrap my head around and work through.

Even though it may seem like I didn’t like Emma Donoghue’s latest book, that’s not strictly accurate. I did like Learned by Heart and it is such a well-written and well-told story that it still lives in my head, weeks after reading it. Donoghue is so unbelievably talented. This is a book that I’m desperate to talk to others about so if you’ve read it, find me on Instagram @kaleys23 and let’s talk!

*An egalley of this novel was provided by the publisher, HarperCollins Canada, via NetGalley in exchange for review consideration. All opinions are honest and my own.*

Review: Women of the Post

I’ve realized in the last few (several?) years that my particular love of historical fiction set during and around each World War means the overwhelming majority of what I’ve read is written and told from a White perspective. I acknowledge that I may not be working hard enough to seek out titles written by BIPOC authors but I also think part of it is the stories just aren’t being published. (I’m more than happy to be told I’m an idiot who has to do more research, by the way.) So, when I came across Women of the Post, Joshunda Sanders’ debut novel, I was immediately intrigued. It was a solid novel that kept my interest and shone a spotlight on a part of history many people may not know much about.

Here’s the book’s description:

1944, New York City. Judy Washington is tired of working from dawn til dusk in the Bronx Slave Market, cleaning white women’s houses and barely making a dime. Her husband is fighting overseas, so it's up to Judy and her mother to make enough money for rent and food. When the chance arises for Judy to join the Women’s Army Corps (WAC) and the ability to bring home a steady paycheck, she jumps at the opportunity.
Immediately upon arrival, Judy undergoes grueling military drills and inspections led by Second Officer Charity Adams, one of the only Black officers in the WAC. Judy becomes fast friends with the other women in her unit—Stacy, Bernadette and Mary Alyce—who only discovered she was Black after joining the army. Under Charity Adams’s direction, they are transferred to Birmingham, England, as part of the 6888th Central Postal Battalion—the only unit of Black women to serve overseas in WWII. Here, they must sort a backlog of over one million pieces of mail.
The women work tirelessly, knowing that they're reuniting soldiers to their loved ones through the letters they write. However, their work becomes personal when Mary Alyce discovers a backlogged letter addressed to Judy that will upend her personal life. Told through the alternating perspectives of Judy, Charity and Mary Alyce, Women of the Post is an unforgettable story of perseverance, female friendship, romance and self-discovery.

This was not, surprisingly enough, the first novel I’ve read about the women of the 6888th Central Postal Battalion. Kaia Anderson’s Sisters in Arms from 2021 (review here) dealt with the same group of women. I much preferred Sanders’ novel but I still found it ever so slightly lacking. I think the issue is I found it too slow. There had to be a lot of set up, just because of the story Sanders chose to tell. I am very happy Sanders took the time to really lay out what it was like for Black women in the US during the war and she gave a lot of detail without the dreaded info dump. I found the story dragged when the women were all in training but I don’t know what Sanders could have done about that. Maybe it’s just me and I was far too impatient for them to get over to England and do actual work instead of being stuck in barracks, not being allowed to because they’re Black. (White women at this time were being sent to Europe to "do their bit" but Black women were being barred from doing the same.)

The story is told from the perspective of three women: Judy, Mary Alyce, and Charity. Judy and Mary Alyce are fictional characters but Charity Adams was a real person. I know authors take liberties with history for the sake of the narrative - and almost all of them will explain why and how they made those changes in a note at the end of the story. I understand how fiction works. What I don’t understand is why Sanders chose to give Charity a female love interest in the book when there’s no evidence that she was queer. She absolutely could have been, of course, and (do I really need to say this?) obviously the presence of a queer character isn’t the issue. The issue is changing a core part of a real person’s being for the sake of the story. Charity was a wicked amazing woman though and I’m glad to have learned more about her and will research more about the real woman behind the novel in the future. Mary Alyce, as I said, was fictional but Sanders noted that she’s kind of based on a real person she had read about. As the book's description notes, Mary Alyce had no idea she was Black until she arrived at training because her mother had hidden her father's race from her and she was light enough to pass. There actually was a woman that happened to, as Sanders mentions in her note. I couldn't even imagine having your world shaken up like that when you're already on edge, heading to training to help with the war efforts. 

Somewhat related, even though I found the training portion of the book to drag, I was loved reading as the women all became friends and bonded with their fellow WACs. They knew they didn’t all have to like each other but they worked hard at making sure there was some respect so they could operate well as a unit. It would have been such a different and eye-opening experience for these women and I was glad they had each other to lean on as they dealt with falling bombs and racism while working in England.

Another reader on Goodreads mentioned that this book would make a better film or TV show and I think I’d have to agree. The information and history is so important but a novel might not be the best format to tell the story of these women. THEN another reader mentioned that Tyler Perry is working on a movie about the women of the Six Triple Eight which is extremely exciting and I’ll for sure be watching.

I liked Women of the Post by Joshunda Sanders and am glad to have read it. The history she shared was fascinating and I learned a lot. I’ll keep an eye out for her next novel!

*An egalley of this novel was provided by the publisher, HTP Books, via NetGalley in exchange for review consideration. All opinions are honest and my own.*

Review: The Keeper of Hidden Books

I’ve been thoroughly enjoying Madeline Martin’s novels because of the history she uncovers and the bookish references she weaves into her stories. It’s no surprise that World War II novels are a particular favourite of mine and when you add in a reference to books, reading, or libraries? I’m even more intrigued. Martin’s latest is The Keeper of Hidden Books, published earlier this month, and it was an unflinching look at what it would have been like in Warsaw during WWII.

Here’s the book’s description:

All her life, Zofia has found comfort in two things during times of hardship: books and her best friend, Janina. But no one could have imagined the horrors of the Nazi occupation in Warsaw. As the bombs rain down and Hitler’s forces loot and destroy the city, Zofia finds that now books are also in need of saving.
With the death count rising and persecution intensifying, Zofia jumps to action to save her friend and salvage whatever books she can from the wreckage, hiding them away, and even starting a clandestine book club. She and her dearest friend never surrender their love of reading, even when Janina is forced into the newly formed ghetto.
But the closer Warsaw creeps toward liberation, the more dangerous life becomes for the women and their families – and escape may not be possible for everyone. As the destruction rages around them, Zofia must fight to save her friend and preserve her culture and community using the only weapon they have left - literature.

There were times I felt Zofia was...going too far into saviour mode - and I do wonder if that’s an unfair assessment. She could clearly see how the war was affecting not only Christians, like herself, but the Jewish people, like her best friend, Janina. She had as close to a front row seat as you could get and understood how dangerous it was for the Jewish folk in Warsaw. She was enraged and I don’t fault her for wanting to do something. I’m glad Martin had a scene where Zofia realized how dangerous it could be for Janina when Zofia stood up to the Nazis occupying their city because, until that point, she was only thinking of how upset she was and how unfair it all was from her own perspective. Of course it was unfair. I’m definitely not arguing that. She just hadn’t realized how impossible the situation was and how her actions could put others in danger. Would I have done any better? Hell, would I have even tried to stand up to a Nazi? It’s so hard to say, isn’t it? We want to think we’d stand up for others in a dangerous situation but would we? Martin shows all the shades of grey in this situation and illustrates very well how difficult it would have been for all Warsaw residents during their occupation. Once she got her hotheadedness under control, Zofia was able to use her rage for good and I hoped it would be enough to help liberate her city.

Books, reading, and libraries play a huge role in this novel and I loved that element. I was so happy that Zofia and Janina wanted to be educated in working at a library but then, almost immediately, I was heartbroken that these young women (and so many others like them) had their lives turned upside down and weren’t able to pursue their education. Hell, eventually Janina wasn’t even allowed to be in the library, let alone be learning or working there. Martin showed that, amongst all the sabotage and fighting for freedom, books were important to the people of Warsaw. Books have power and the girls used that power as much as possible. Hitler was banning and burning books and Zofia and those she worked with tried to save as many books as they could, to prevent stories and ideas being lost forever. They also tried to read as many as they could, having their own anti-Hitler book club. Martin used a lot of research to illustrate the power of libraries and books, including how important they were in the Jewish ghetto. For a bookworm like me, it was really powerful.

This is probably one of the most grim WWII novels I’ve read in some time. All of them are, to some extent, but this one hit especially hard. Was it because it was about a part of the war I hadn’t read much about before? I knew the invasion of Poland kickstarted the war but I hadn’t really thought about what it would have been like for the Polish people. Not in as much detail that Martin presented, that’s for sure. It was hell for those people. The description of the ghettos, the scarcity of food, the roundups, and the public executions. Pure and utter hell. It can be hard to read about these things and wonder about similar issues going on in the world right now that are being ignored. Are most of us any better than our ancestors were? It’s a sobering thought.

The Keeper of Hidden Books was extremely interesting and I’m glad I read Madeline Martin’s latest novel. It didn’t quite live up to my expectations but I appreciate the insight Martin gave with this story and how she showed the importance of books and reading, even in some of the darkest times.

*An egalley of this novel was provided by the publisher, HTP Books, via NetGalley in exchange for review consideration. All opinions are honest and my own.*

Review: Code Name Sapphire

Why, yes, I am here with another review of another historical fiction novel set during World War II! I’ve been chasing the high Pam Jenoff gave me with The Lost Girls of Paris since I read it back in 2019 (review here). I was hopeful Code Name Sapphire, which was published back in February, would live up to my high expectations but I was just a wee bit let down. I definitely enjoyed the read but it won’t be one I remember for a long time.

Here’s the book’s description:

1942. Hannah Martel has narrowly escaped Nazi Germany after her fiancé was killed in a pogrom. When her ship bound for America is turned away at port, she has nowhere to go but to her cousin Lily, who lives with her family in Brussels. Fearful for her life, Hannah is desperate to get out of occupied Europe. But with no safe way to leave, she must return to the dangerous underground work she thought she had left behind.
Seeking help, Hannah joins the Sapphire Line, a secret resistance network led by a mysterious woman named Micheline and her enigmatic brother Mateo. But when a grave mistake causes Lily’s family to be arrested and slated for deportation to Auschwitz, Hannah finds herself torn between her loyalties. How much is Hannah willing to sacrifice to save the people she loves?

I really enjoyed reading about another resistance network during World War II. One would think I would get tired of it but that hasn’t happened yet! I’m here for the abundance of WWII novels but I’m also here for the ones that give me something a little unexpected. Did this book give me something unexpected? I’m not totally sure. I think I liked having a viewpoint from a city other than London or Paris. I don’t forget, exactly, that other countries would have been involved in the war. I am well aware that “world” is in the descriptor for this particular war. But so much of the media I tend to consume (books, movies, TV) focuses on a small portion of the affected countries so areas like Brussels and what those residents had to deal with aren’t top of mind. It’s a sobering reminder that there weren’t many countries that escaped unscathed from WWII.

I’ve said it before and I’ll say it again: not all historical novels with more than one point of view are created equal. Some have multiple characters who all add their own important piece to the overall narrative. And some…well, some feel like there’s not enough story for one character to stand on their own so a second (or third) character is created and their story is mashed in wherever it can fit. Sometimes that can work. I didn’t really find that it did with Jenoff’s latest novel, which was disappointing. Hannah’s storyline was the strongest but Micheline’s was the more intriguing one. Lily’s POV served to show how easy it would have been for the average citizen to bury their head in the sand during the war and not realize (or want to realize) what was happening all around them. It’s frustrating to read but partially because who can say for sure what they would do in that kind of situation? As I said, Micheline’s storyline was the one I was a little bit more interested in but there wasn’t as much to her POV as I would have liked. Perhaps it’s because there’s not as much research on women resistance leaders, particularly in Belgium, and Jenoff didn’t want to take too many liberties with historical fact? Even though I didn’t love the tri-POV, I can see what Jenoff was trying to do and I do think I got a slightly better grasp on what it would have been like for many different women in Brussels during the war.

Sure, I wanted to like Code Name Sapphire more than I did but I still think Pam Jenoff has written an interesting historical fiction tale. The true stories that inspired her are fascinating and make me want to read and watch more about it. I still consider that a win for a historical novel!

*An egalley of this novel was provided by the publisher, HTP/HarperCollins Canada, via NetGalley in exchange for review consideration. All opinions are honest and my own.*

Review: The Lost English Girl

I’ve been reading Julia Kelly’s books since 2020 and I always eagerly await her latest release. This year she gave us The Lost English Girl, which was published back in March of this year. I know I’m going to get a well-researched and well-told story from Kelly and while this new one didn’t quite live up to my high expectations, I enjoyed it and was very invested in the characters and their lives as they tried to make it through World War II with as little hurt - emotional or physical - as possible.

Here’s the book’s description:

Liverpool, 1935: Raised in a strict Catholic family, Viv Byrne knows what’s expected of her: marry a Catholic man from her working-class neighborhood and have his children. However, when she finds herself pregnant after a fling with Joshua Levinson, a Jewish man with dreams of becoming a famous Jazz musician, Viv knows that a swift wedding is the only answer. Her only solace is that marrying Joshua will mean escaping her strict mother’s scrutiny. But when Joshua makes a life-changing choice on their wedding day, Viv is forced once again into the arms of her disapproving family.
Five years later and on the eve of World War II, Viv is faced with the impossible choice to evacuate her young daughter, Maggie, to the countryside estate of the affluent Thompson family. In New York City, Joshua gives up his failing musical career to serve in the Royal Air Force, fight for his country, and try to piece together his feelings about the family, wife, and daughter he left behind at nineteen. However, tragedy strikes when Viv learns that the countryside safe haven she sent her daughter to wasn’t immune from the horrors of war. It is only years later, with Joshua’s help, that Viv learns the secrets of their shared past and what it will take to put a family back together again.

Kelly’s latest few books aren’t for readers who want fast, action-packed historical fiction. Her books are quieter and focus on more of the day to day impact of historical events, in the case of The Lost English Girl it was World War II, instead of the flashy, big moments we all know about. I personally don’t mind that at all but I know some readers expect a faster paced historical fiction and I’d advise them to try other authors instead of Kelly.

Viv’s family drove me up the freaking wall. I cannot stand any story where the female main character is completely controlled by their family. It gets really hard when there’s a time or cultural difference and I try to keep my expectations in check but, oof, I struggled with this one. I hate that women had no powers, that they had to report to their father and then their husband, and that women like Viv, who found themselves unexpectedly pregnant, were shamed (hell, some women are still shamed nowadays). It enrages me, quite honestly. So, it’s no surprise I was totally rooting for Viv as she tried to make a life for herself and her daughter that didn’t include her parents. I desperately wanted her to succeed.

I had a feeling that this book was going to rip my heart out and it most definitely did. But I wasn’t as sure that Kelly would put it back together again. Eventually my assumption was proved correct and the characters had to work hard in the post-war chaos to put their family back to rights. (Is that vague? Good. I was trying to be. Read the book to see what I’m alluding to!)

The Lost English Girl isn’t just a book about how World War II affected the people of Liverpool. It’s about families - made and found - and motherhood. There’s pain and loss, of course, it’s a book set during war, but there’s hope, too. Julia Kelly has written another interesting and emotional novel and I’m already looking forward to what she writes next.

*An ARC of this novel was provided by the publisher, Simon & Schuster Canada, in exchange for review consideration. All opinions are honest and my own.*

Review: After Anne

There's not much worse for a reader than picking up a book you end up not liking. I’ve gotten way better over the years of not finishing books that aren’t thrilling me and actually DNF-ed one the same week I was reading After Anne. Perhaps that’s part of why I kept reading Logan Steiner’s book. To put down two books in a row? Ugh, no fun. The other part was I just kept hoping the book would get better. And, I admit, I wanted to see how Steiner would end the novel. All in all - I should not have let my love of Anne of Green Gables and Lucy Maud Montgomery blind me and I shouldn’t have read this book.

Here’s the description:

As a young woman, Maud had dreams bigger than the whole of Prince Edward Island. Her exuberant spirit had always drawn frowns from her grandmother and their neighbors, but she knew she was meant to create, to capture and share the way she saw the world. And the young girl in Maud’s mind became more and more persistent: Here is my story, she said. Here is how my name should be spelled—Anne with an “e.”
But the day Maud writes the first lines of Anne of Green Gables, she gets a visit from the handsome new minister in town, and soon faces a decision: forge her own path as a spinster authoress, or live as a rural minister’s wife, an existence she once likened to “a respectable form of slavery.” The choice she makes alters the course of her life.
With a husband whose religious mania threatens their health and happiness at every turn, the secret darkness that Maud herself holds inside threatens to break through the persona she shows to the world, driving an ever-widening wedge between her public face and private self, and putting her on a path towards a heartbreaking end.

It shouldn’t be a surprise that I love Anne of Green Gables. It’s kind of cliche for a Canadian reader to adore the series but adore it I do. When I was asked to review a fictionalized story about the author and it was compared to Jennifer Robson's novels, well, how was a girl to say no? First of all, Steiner does not even come close to Robson. Second, I think this book was just too fictionalized. I know I wasn’t reading a real biography but something rubbed me very much the wrong way when I learned a large chunk of the book (which seemed to be pulled from/inspired by real journal entries from Maud) was totally and completely made up.

I’ve tried to really think about why I was uncomfortable with the way Steiner approached Maud’s life. There was a tiny part of me that didn’t love that it was an American author taking on a Canadian legend. I figured that was a little bit…ridiculous, not to mention unfair, so I worked to set that aside. But I really didn’t like how she opened the novel - with Maud’s son being called to her house after her death and him realizing it was very likely a suicide. Now, I knew that Maud had had her challenges with her own mental health, as did her husband. But I didn’t know her granddaughter had stated in 2008 that Maud had died by suicide. Though that's still up for some debate - no autopsy was performed and other family members seem to think it could have been an accident. Was I just assuming that this book would be as light and lovely as most of Maud’s own books were? Probably. Was I opposed to having a less than ideal truth be exposed about one of my favourite authors? No, not necessarily. I really do appreciate the honesty as we, as a society, need to be less focused on putting on a sunshine and rainbows front when in public. I’m glad to have learned more but I’ve already gone looking for more accurate resources than this novel because I don’t trust the fictionalized version. I must admit that maybe I was a little sad to have to read that Maud was driven to end her own life - I don’t wish that upon anyone, and especially not the creator of one of the most beloved heroines in literature.

The subject matter should have been a win for me and, as I’ve tried to outline above, it was not. So how about the writing? Well. That wasn’t great either. The novel takes place over a number of years and Steiner did not write in a linear manner. I actually have no idea how many time periods were mentioned and I did not enjoy all the time jumping. It was far too confusing and not done well.

Another reviewer on Goodreads mentioned that one should just read Maud’s own journals instead of this novel and I would have to agree. I think Logan Steiner’s heart was in the right place - at least I hope it was - but After Anne was a major miss for me. Hopefully her next novel is better but I’m not sure if I’ll be picking it up.

*An egalley of this novel was provided by the publisher, William Morrow (HarperCollins) via NetGalley in exchange for review consideration. All opinions are honest and my own.* 

Review: The Stolen Hours

Most of you will know that I’ve been reading Karen Swan books for a long, long time now. I was really impressed by the first book in her new historical fiction series, The Last Summer, which was published last year (review here). It was left on such a cliffhanger that I was desperate for the second book. The Stolen Hours focuses on another of the inhabitants of St. Kilda and gives some more details on what, exactly, happened on that last night on the island.

Here’s the book’s description:

A reluctant bride. A forbidden romance. An island full of secrets . . .
It’s the summer of 1929 and Mhairi MacKinnon is in need of a husband. As the eldest girl among nine children, her father has made it clear he can’t support her past the coming winter. On the small, Scottish island of St Kilda, her options are limited. But the MacKinnons’ neighbour, Donald, has a business acquaintance on distant Harris also in need of a spouse. A plan is hatched for Donald to chaperone Mhairi and make the introduction on his final crossing of the year, before the autumn seas close them off to the outside world.
Mhairi returns as an engaged woman who has lost her heart – but not to her fiancé. In love with the wrong man yet knowing he can never be hers, she awaits the spring with growing dread, for the onset of calm waters will see her sent from home to become a stranger’s wife.
When word comes that St Kilda is to be evacuated, the lovers are granted a few months’ reprieve, enjoying a summer of stolen hours together. Only, those last days on St Kilda will also bring trauma and heartache for Mhairi and her friends, Effie and Flora. And when a dead body is later found on the abandoned isle, all three have reason enough to find themselves under the shadow of suspicion . . .

I wasn’t sure how Swan would start off this one. Would it be an immediate sequel, picking up exactly where book one left off? Would the cliffhanger from book one be resolved by the end of book two? It turns out the answer is no to both. I KNOW. I need answers. But I also really appreciate what Swan is doing. This is an ongoing saga and to know the full story, you have to have multiple stories. Instead of continuing where Effie’s story left off, Swan goes back in time and then moves forward to the evacuation once again but this time from Mhairi’s perspective. There were some overlapping stories where pieces from book one started to make a little more sense but there was a lot of new information as well so I wasn’t bored by any repetitive details.

I was, however, a little less…engaged? Maybe? In Mhairi’s story. I loved her, don’t get me wrong. But there were a ton of aspects about that time period that just drove me (and my modern sensibilities) bonkers. I tried to temper that because it’s not fair to put my beliefs and expectations onto characters whose lives are very, very different from my own. When I was able to tamp down my 2023 expectations, I was glad to get a glimpse of what life was/could have been like for women on St. Kilda at that time. I don’t think I would have dealt with it well for all kinds of reasons!

I want to be careful not to share too much about this story because I do think the series needs to be read in order plus there are revelations in this one that I want to keep quiet. Though I will say I did NOT see any of that coming and I wonder how much I may have missed in book one or if Swan cleverly hid some of these details. Whatever it was, it worked for me! I didn’t love some of it but I appreciated how it was all revealed.

I read The Stolen Hours in just a few days - quite the feat for a 400 page novel! I’ve really been enjoying Karen Swan’s journey into historical fiction and I’m desperate to know what actually happened when the residents of St. Kilda were about to be evacuated. I’ll take book three any day now, please!

*An egalley and an ARC were provided by the Canadian distributor, Publishers Group Canada in exchange for review consideration. All opinions are honest and my own.*