Review: Every Time We Say Goodbye

I’ve been reading Natalie Jenner’s work since her debut novel, The Jane Austen Society, was released in 2020. She writes really thoughtful and quite interesting historical fiction stories with characters who feel so familiar even though they lived so long ago. Every Time We Say Goodbye is her latest and readers will recognize some of the characters in this tale and will feel as though it’s like revisiting an old friend.

Here’s the book’s description:

In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry's last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job in as a script doctor on a major film shooting in Rome’s Cinecitta Studios. There she finds a vibrant movie making scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the liberation of the post-war cinema and the restrictions of the Catholic Church that permeates the very soul of Italy.
As Vivien tries to forge a new future for herself, she also must face the long-buried truth of the recent World War and the mystery of what really happened to her deceased fiancé. Every Time We Say Goodbye is a brilliant exploration of trauma and tragedy, hope and renewal, filled with dazzling characters both real and imaginary, from the incomparable author who charmed the world with her novels The Jane Austen Society and Bloomsbury Girls.

There was something niggling at me while reading this one, making me wonder why I wasn’t loving it as I expected to. As talented as I think Jenner is, I didn’t feel like she quite brought all the stories together in a cohesive way. There was a lot going on - in two timelines - with a lot of characters. Probably too many characters. I appreciated that Jenner wanted to include some of the real folks who would have been in Italy at that time (Sophia Loren and Ava Gardner to name two), but I felt they didn’t really add anything to the story. Another blogger put it well when we were talking about why this one didn’t hit as we expected. We both love Natasha Lester’s novels and she is a master at sharing information about a specific topic (usually fashion in Lester’s case and the film industry in Jenner’s) and weaving a historical story around it. The weave in Jenner’s story was loose and I think that’s why we were struggling a bit.

All that said, I didn’t find this to be a bad book. I was still interested in the story and wanted to find out how it all ended. I was invested in Vivien’s life and wondered how the tale of la scolaretta would unfold. How did a young, female resistance fighter tie into Vivien’s story? (You’ll have to read it to find out, obviously!)

I remember learning about the Hollywood blacklist and the House Un-American Activities Committee (HUAC) way back in university. It’s a fascinating and heartbreaking part of history. So many folks in the film industry were pressured to give up information on their colleagues during the witch hunts simply because Hollywood was trying to prove they were patriotic and not supporting communism. Jenner’s novel didn’t feature the hearings or what was happening in Hollywood. Instead, it showcased how many American filmmakers fled to Europe (the reverse of what happened during the war) to avoid persecution. I don’t think I’ve come across many novels that feature this so heavily and I’d be interested in reading more fiction stories about it.

Even with the inclusion of the WWII storyline, Jenner’s novel is a quieter historical fiction tale. She’s explored topics and a point in time that some may not have read about (I certainly haven’t seen it often in novels) and gives us a glimpse of what life could have been like in 1950s Rome. The war is behind them, but the effects of it were still being felt strongly and on an almost daily basis. It’s not going to be for everyone but if you’re genuinely interested in history and getting a feel of what the time period could have been like? Jenner’s novels are for you.

Every Time We Say Goodbye by Natalie Jenner wasn’t a winner for me but I’m still glad I read it. I enjoyed getting a glimpse into the film industry of 1950s Rome and revisiting characters I had met in her previous novels.

*An egalley of this novel was provided by the publisher, St. Martin's Press, via NetGalley in exchange for review consideration. All opinions are honest and my own.* 

Cover Reveal: Everytime We Say Goodbye

If you've been around for awhile (thank you!), you'll know I love Natalie Jenner's work. I was immediately interested in her debut because, hello, Jane Austen! Her third novel, Every Time We Say Goodbye, is set to be released on May 14, 2024. Today I'm THRILLED to be part of the cover reveal for this new book.

But first - here's what the novel is about!

The bestselling author of The Jane Austen Society and Bloomsbury Girls returns with a brilliant novel of love and art, of grief and memory, of confronting the past and facing the future.
In 1955, Vivien Lowry is at a crossroads in life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Vivien's last chance for theatrical success. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job as a script doctor on a major film shooting in Rome’s Cinecittà Studios. There she finds a vibrant moviemaking scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the liberation of the post-war cinema and the restrictions of the Catholic Church that permeate the very soul of Italy.
As Vivien tries to forge a new future for herself, she also searches for the long-buried truth of the recent World War and the fate of her deceased fiancé lost in battle. Every Time We Say Goodbye is a bold and moving exploration of trauma and tragedy, hope and renewal, filled with dazzling characters both real and imaginary, from the incomparable author who charmed the world with her novels The Jane Austen Society and Bloomsbury Girls.

Other readers of Jenner's novels will recognize Vivien's name as Every Time We Say Goodbye is linked to The Jane Austen Society and Bloomsbury Girls by characters but, just in case you haven't read her previous books yet, rest assured that it is a stand-alone novel.

Before we get to the cover (it's coming!), here is a letter from Jenner to her readers.

Hello Dear Readers,

Every Time We Say Goodbye was the hardest book I will ever write, and the most rewarding.

It all started when I learned about the world-famous Cinecittà movie studio in Rome being used as a war refugee camp in the 1940s. People who had been stripped of everything—homes, possessions, even their most basic humanity—suddenly found themselves confined to life inside a “dream factory.” I decided to set my third novel during a very specific, very cool time in history—la dolce vita of mid 1950s Rome—while exploring the incredibly complex and haunting legacy of that city under German occupation during the Second World War.

I also wanted to know why Vivien Lowry, a character from my book Bloomsbury Girls, had been so angry all the time! I wondered if a woman could make the biggest mistake of her life and move past the regret in a way that benefitted her and the world around her. I never intended to write a dual timeline. I had been working on Every Time We Say Goodbye for nearly a year when the voice of a young female Italian resistance fighter codenamed la scolaretta—the schoolgirl assassin—suddenly showed up on the page one day. Having witnessed the bravery and sacrifice of so many to keep us safe during our world’s most recent challenge, I wanted to pay tribute to them. How fortunate am I, through the intimate and emotional power of historical fiction, to have the opportunity to do so.

I packed everything I could into this book: love and conflict, faith and religion, censorship and resistance, art and moviemaking, fashion and food, and cameos by favorite actresses such as Sophia Loren and Ava Gardner and characters from both The Jane Austen Society and Bloomsbury Girls (I, myself am terrible at goodbyes!).
I hope, more than anything, that Every Time We Say Goodbye gives readers the entertainment, inspiration and food for thought that nourished me throughout its writing.

Best wishes, Natalie

OK, are we ready? Here's the cover of the upcoming Every Time We Say Goodbye by Natalie Jenner.

Ah, isn't it STUNNING? I'd be immediately intrigued if I saw it at the bookstore.

About the Author
Natalie Jenner is the internationally bestselling author of The Jane Austen Society and Bloomsbury Girls, which have been translated into more than twenty languages worldwide. Born in England and raised in Canada, Natalie has been a corporate lawyer and career coach and once owned an independent bookstore in Oakville, Ontario, where she lives with her family and two rescue dogs.

Connect with the Author
Website * Twitter * Facebook * Instagram * Goodreads

Pre-order & Purchase Links

Amazon * Barnes & Noble * Bookshop * St. Martin's Press * Bookbub

Now that you're sufficiently intrigued, add Every Time We Say Goodbye to your Goodreads.

Thank you to the author and Austenprose for allowing me to be a part of this cover reveal.