Showing posts with label Starring in the Movie of My Life. Show all posts
Showing posts with label Starring in the Movie of My Life. Show all posts

Tuesday, June 28, 2011

Author Guest Post: Laurel Osterkamp

This past week I had the pleasure of reviewing Laurel Osterkamp's novel Starring in the Movie of My Life (you can read my review here). Laurel was kind enough to write a guest post for Books Etc. I hope you all love it as much as I do. I totally agree with what Laurel has to say - what do you guys think? Bonus points if you've seen Citizen Kane too!

Cauliflower, Citizen Kane, and Chick Lit

When I was a kid I refused to eat vegetables. Honestly, the only vegetables I wanted to eat were raw carrots and salad. This drove my mother crazy, but eventually she decided a vegetable is a vegetable, and she started serving me raw carrots for dinner every night. At least I got my Vitamin A, even if I didn’t get variety.

I’m still not a huge vegetable fan, but I have expanded my horizons. I love certain spinach dishes, asparagus, leeks, and anything with onions, tomatoes, peppers, and mushrooms. Recently I’ve learned to love roasted cauliflower with a little hot-pepper sauce sprinkled over it. Yummy.

So what does this have to do with books and film? Recently there has been some controversy on the blogosphere over two NYTs film critics’ statement that certain films are “vegetables” – valuable not so much as entertainment but as something to appreciate. What’s controversial about that? Well, certain people took offense, saying that these artistic, high brow films are entertaining and enriching. The two, they say, don’t have to be mutually exclusive.

I teach film studies, so I’m not unfamiliar with this concept. Every year when we start our unit on Citizen Kane, my students are aghast at the idea that it is considered to be the best movie ever made. “Do you think it’s the best movie ever made?” they’ll ask me.

I tell them, “I think it’s hard to label one film as being the best ever made. Do I go home on Friday nights and watch it while eating ice cream? No. Do I think it has influenced film-making in hugely substantial ways? Yes. All I hope is that by watching it, you can appreciate what it has to offer.”

There’s that word again…appreciate. I’ve learned more from watching Citizen Kane then say, Mystic Pizza, but I’m always pleased to happen upon Mystic Pizza when I’m channel flipping. I guess for me the vegetable metaphor holds true. Vegetables are nutritious yet hard to enjoy at first. But once you acquire a taste for them, you love them. Sort of like me with roasted cauliflower.

So while I don’t think enjoyment and appreciation have to be mutually exclusive, I do think they’re often separate experiences. But not always…it’s all about variety. For instance, if you’ve been on the road and have ingested a lot of fast food, don’t you start craving salad? Similarly, if you all you’ve watched in the last month are romances, don’t you feel more ready to try an art house flick? Sometimes what you appreciate can be entertaining, what you crave can be nutritious, and what desire can be exactly what you need.

This leads me to another thought. There are lots of real quality romances out there, and there are also some very poorly done art house flicks. There are also salads covered with dressing and bacon that are unhealthy and lean cuts of beef that are both delicious and good for you. But people seem to have trouble with this concept. For instance, when I’ve gotten good reviews for my books (which I always appreciate, no matter what), people are likely to say “It’s not your typical chick lit”, or “I don’t usually read chick lit, but this was really good.”

The implication of course is that chick lit is inherently bad. As a writer of chick lit I don’t agree with that. I think you can find things to both appreciate and enjoy about pretty much any well written book, well made movie, or well prepared meal, no matter what its genre, subject, or ingredients.

So there you go. Prepare yourself some cauliflower and steak, turn on the TV or open a book, and enjoy your day.

And after you’ve eaten all your vegetables, don’t forget dessert.

Saturday, June 25, 2011

Chick Lit Plus Blog Tour: Starring in the Movie of My Life


I'd like to start off by thanking Samantha at Chick Lit Plus Blog Tours and author Laurel Osterkamp for allowing me to be part of this blog tour!

And also...my apologies for being AWOL for awhile! I've been trying to get into a routine that has to include the occasional late work meeting, going to the gym, keeping up with reading, and, you know, having a life! I plan to do better. You can hold me to it!

Now, back to the point of this post! Here is the synopsis of Starring in the Movie of My Life from Goodreads:


I've been trying to nail down exactly what I thought and felt about this book. I'll be honest - I didn't love it and I'm not entirely sure why. Perhaps this post will help me figure it out!

If you like a lot of drama, you'll like this novel. While I enjoy some drama every once and awhile, this was a little too much for me. Marriage problems? Check. Ex still in the picture? Check. Troubled high school student? Check. Car accident? Check. Pregnancy? Check. Attempted rape? Check. Bullying mother? Check. Absent mother? Check. See what I mean? I do have to say though, that even with all of these issues (and then some!) happening at essentially the same time, the storyline doesn't really get confusing or off track.

I found myself rooting for Nate for pretty much the entire novel. Even though he is the one the two women are fighting over (and I use the term "woman" loosely when it comes to Melody as she's still very much a high school student), we never really hear his side of the story. We get Sam's and Melody's perspectives and really find out the reason and rationale behind their actions. Speaking of which, I really liked that each chapter switched between characters. It allowed for me to really understand why they were acting the way they were and because every chapter switched I didn't feel like I was stuck on one character for too long. I thought this element of the novel was well done.

Samantha and Melody are essentially fighting over Nate for the majority of the novel. Why? Because they both think that he can "save" them. Both women are quite flawed at the beginning of the novel but by the end they are able to find themselves. While doing so, I think they realize that they never really needed Nate in the first place. Both Sam and Melody are strong females and I would think they would appreciate that they could save themselves on their own without any help.

As I said, I didn't really know why I didn't like the book. I gave a very in-depth synopsis of the book to a coworker this week. When I finished she said, "And you didn't like the book?" That got me thinking...it was a lot of drama and I couldn't easily find something to connect with in Samantha or Melody. When it's difficult to really identify with the characters, it is hard to get completely engrossed in the story.

Overall...I didn't love this book. I think it was just too drama filled for my taste. I am looking forward to seeing what others have to say about it because I think it would be a great read for lots of others. Check out the list of all the reviews here!

Stay tuned to Books Etc. because on Tuesday I have an amazing guest post from Laurel! I love it and I hope you all will too :)
Thirty-five-year-old Samantha acts without thinking. Her heart is huge while her sense of purpose is small; she's willing to fight for those she loves, but she's never learned to fight for herself. Eighteen-year-old Melody is cold and calculating, and she's driven by the desire to better herself. As these compelling yet deeply flawed women battle for the affections of twenty-five-year-old Nathan, he becomes increasingly confused and torn between them.
Nathan is Melody's English teacher, and after he saves her from being raped, she becomes attached. Melody longs for the affection she's never felt, so she involves people in her self-invented drama, making sure she is at once the star and the director. Meanwhile, Samantha is newly married to Nathan. But Samantha has hang-ups about motherhood and lingering feelings for her ex. To make sense of the world, Sam relates her life to the themes of her favorite movies, while she independently makes a documentary to jump-start her non-existent film career.
Stylistically influenced by Jodi Picoult and Jennifer Weiner, Starring in the Movie of my Life is told alternately from both Samantha's and Melody's points-of-view and relates two complete yet combined stories about love, acceptance, and redemption. It speaks to our universal desire to be saved by the ones we love, and the monumental effort required tosave ourselves.