Review: Truly, Madly, Deeply

I think Truly, Madly, Deeply is my favourite Alexandria Bellefleur book to date. I said what I said! I’ve been reading her books since she published Written in the Stars in 2020 and her latest is the fifth I’ve read. It was just…everything I needed. Swoony, emotional, steamy (my lord, was it every steamy). Just wonderful.

Here’s the book’s description:

As a bestselling romance novelist, everyone thinks Truly Livingston is an expert on happily-ever-afters. She’s even signed on to record a podcast sharing relationship advice. Little do they know she feels like an imposter—her parents just announced they’re separating, she caught her fiancé cheating, and her entire view on love has been shaken to the core. Truly hopes the podcast will distract her... until she meets her cohost.
Her first impression of Colin McCory is...hot. But then he opens his extremely kissable mouth. Colin’s view on love just pisses Truly off, even if he does have an annoyingly attractive face. Bickering with a cynical divorce lawyer is the last thing she needs—so she walks out, with no plans to return.
A few days later, Truly is surprised when Colin tracks her down, asking for a fresh start. Truly can’t deny the little thrill she gets from Colin begging, so she reluctantly agrees. As they go from enemies to friends to something else entirely, Truly discovers they have more in common than she ever imagined, including their shared queerness. He’s a genuinely good guy—charming, sweet, and equally as unlucky in love as herself—and there’s something about Colin that drives Truly a little wild. When their attraction reaches a fever pitch, Truly is happy for the first time in years. Yet she can’t help but wonder... is Colin truly, madly, deeply in love with her? Or is it all too good to be true?

I don’t love the enemies-to-lovers trope. Too often I find that the characters clearly hate each other or the “hate” is something stupid or non-existent. And some might find this amusing when they know I love Pride and Prejudice, possibly the first ever enemies-to-lovers romance novel. But what I like about P&P is that Elizabeth and Darcy get off on the wrong foot but they are, after a time, willing to concede that they were too proud and prejudiced and finally see the other as a romantic prospect. I found the same happened in this book. Truly and Colin didn’t really hate each other (even though she tells her mom she absolutely does). They just get off on the wrong foot and then needle each other at subsequent meetings. But they can tell there’s something there and after *gasp* communicating with each other, they realize assumptions were made and maybe, just maybe, they might be good together.

Some of Truly’s behaviour was a little juvenile and hard to get past but that’s getting a little nitpicky. I wish she hadn’t pulled a Parent Trap on her parents (it’s their relationship and has nothing to do with her and I felt she was too smart to not understand that). And I hated her ex and that she thought it was OK to be with just a trash human. If there were no conflict, there would be no story, I get that, but I don’t know if she really would have been ready to move on to an emotionally healthy relationship when she had just been in a toxic one.

I don’t often declare book boyfriends in part because 1. I read a ton of romance novels and 2. I’m just not often drawn that much to the love interests in the way other readers are. But Colin? Yeah, that man is my new book boyfriend. He was smart, sweet, caring, and funny, among other attributes. He also really, truly cared about Truly. And I know that all other romances have characters who care about each other, that’s kind of the whole point, but Bellefleur took it to another level and it was extremely attractive.

Speaking of romance…I mentioned this book was steamy. Folks, this is so beyond NSFW that it can’t even see work in the rearview mirror. And I mean that in the best possible way. The sex scenes weren’t overly numerous nor were they gratuitous. They were well placed and made a whole lot of sense from a plot perspective. They were very well done and very hot. 

There’s also an excellent scene when Truly and Colin are discussing sexual identities that reminded me a lot of the Schitt’s Creek scene when David says he likes the wine but not the label. Like Bellefleur herself, both Truly and Colin are bi which I think is a pretty important thing to state when the book and their relationship is straight presenting. Bi erasure is real and we don’t need that in the world or our romance novels.

Truly, Madly, Deeply was just the romance novel I needed. I love all Alexandria Bellefleur’s books but this one may be my new favourite. It has heart and heat and characters you can’t help but fall in love with. You're going to want to read it!

*An egalley of this novel was provided by the publisher, Avon, via Edelweiss in exchange for review consideration. All opinions are honest and my own.* 

Review: Earls Trip

Jenny Holiday has written sweet romances and spicy romances and those books are always very enjoyable. So, I was intrigued when I heard she was writing a historical romance. And, friends, she can write the hell out of a historical romance, too! Earls Trip was too much fun and I enjoyed it so much. It’s out next week, April 23, so get those library holds and preorders in!

Here’s the book’s description:

Even an earl needs his ride-or-dies, and Archibald Fielding-Burton, the Earl of Harcourt, counts himself lucky to have two. Archie (the jock), Simon (the nerd), and Effie (the goth) have been BFFs since their school days, and their annual trip holds a sacred spot in their calendars. This year, Archie is especially eager to get away—until an urgent letter arrives from an old family friend, begging him to help prevent a ruinous scandal. Archie’s childhood pal Olive Morgan must be rescued from an ill-fated elopement—and her sister Clementine must be rescued from rescuing Olive. Suddenly the trip has become earls-plus-girls.
This . . . complicates matters. The fully grown Clementine, while as frank and refreshing as Archie remembers, is also different to the wild, windswept girl he knew. This Clem is complex and surprising—and adamantly opposed to marriage. Which, for reasons Archie dare not examine too closely, he finds increasingly vexing.
Then Clem makes him an indecent and quite delightful proposal, asking him to show her the pleasures of the marriage bed before she settles into spinsterhood. And what kind of gentleman would he be to refuse a lady?

I recognize that many books, TV shows, movies, etc are being created because of the “Bridgerton Effect” - that they (the powers that be who decide what to publish or create for screen) recognize there’s an appetite for stories that are as fun, frothy, and historical (ish) as the Bridgerton TV show. Earls Trip had a similar vibe as Bridgerton which I was totally into. Holiday paid attention to the historical elements she needed to but she wasn’t so strict about language or social norms. I find that authors sometimes force the language so much that it sounds…ridiculous. Holiday didn’t do that, thankfully!

I’m excited that this appears to be a series because I’m really looking forward to hanging out with all of these characters again. Holiday created a group of earls (well, two earls and a viscount) who were so delightful. I loved the ladies but the guys were the stars. Their friendship would be refreshing in a contemporary romance so to have it be the focus of a historical romance was a delight. They weren’t shy about their friendship and feelings for each other. Archie maybe mentioned that it wasn’t normal for them to be expressing those feelings a bit too often but it was nice to see how much they cared for each other, their found family. And they willingly embraced the ladies and brought them into the fold, too. Love!

Even though the main purpose of this novel was to be a fun romance, Holiday wove some more serious issues into the story as well. Some had to do with society of the time, such as how Clem (and all other women) were basically just things to be owned and ordered about by men, whether that was their father or their husband (because of course their life goal had to be marriage and marriage to a man - there was no other option). Others issues were more general and something contemporary readers can understand, such as Archie’s mother’s dementia. I felt everything was handled well and respectfully and added to the overall story in a really great way.

Earls Trip was such a fun read and I’m already missing the characters I met in Jenny Holiday’s latest novel. I can’t wait for the next book in the series and I think romance readers everywhere will also thoroughly enjoy this book!

*An egalley of this book was provided by the publisher, Kensington Books, via NetGalley in exchange for review consideration. All opinions are honest and my own.*

Review: Here We Go Again

I didn’t think I’d get into a “rom com about death” but there was something about Alison Cochrun’s latest romance, Here We Go Again, that kept me intrigued. The emotional component of this one was off the charts but knowing I’d get a Happily Ever After at the end helped balance the negative feelings that came up while reading.

Here’s the book’s description:

A long time ago, Logan Maletis and Rosemary Hale used to be friends. They spent their childhood summers running through the woods, rebelling against their conservative small town, and dreaming of escaping. But then an incident the summer before high school turned them into bitter rivals. After graduation, they went ten years without speaking.
Now in their thirties, Logan and Rosemary find they aren’t quite living the lives of adventure they imagined for themselves. Still in their small town and working as teachers at their alma mater, they’re both stuck in old patterns. Uptight Rosemary chooses security and stability over all else, working constantly, and her most stable relationship is with her label maker. Chaotic and impulsive Logan has a long list of misguided ex-lovers and an apathetic shrug she uses to protect herself from anything real. And as hard as they try to avoid each other—and their complicated past—they keep crashing into each other. Including with their cars.
But when their beloved former English teacher and lifelong mentor tells them he has only a few months to live, they’re forced together once and for all to fulfill his last a cross-country road trip. Stuffed into the gayest van west of the Mississippi, the three embark on a life-changing summer trip—from Washington state to the Grand Canyon, from the Gulf Coast to coastal Maine—that will chart a new future and perhaps lead them back to one another.

I absolutely loved The Charm Offensive when I read it back in 2021 (review here). I somehow missed Kiss Her Once for Me but thought I’d give Cochrun’s latest book a try when I was gifted an egalley. The Charm Offensive still wins but Here We Go Again was still a good read.

I do have to say…it was a little tricky to really root for Logan and Rosemary. I’ve stopped reading romances before when the main love interests drive me bonkers. Why bother reading about a couple getting together for a HEA when I don’t care for either of their personalities? I, like many people, also struggle with miscommunication in romances (setting aside the fact that none of us are great communicators in real life). While this book doesn’t exactly have miscommunication in the traditional sense, I could tell right away that things would have been a LOT different for the two women if they had just been honest with each other, either when they were teens (which is a stretch, I know) or when Rosemary moved back to town a few years prior to the start of the novel. They both made huge assumptions of the other - not unlike Pride and Prejudice - and it grated at me ever so slightly. I got over it enough to keep reading the book, though, and I really think it had to do with the way Cochrun writes and the story she was telling.

While, at first, Logan and Rosemary didn’t make much sense, what did make sense was how much they cared about Joe, their former English teacher. The way Cochrun wrote the relationship between Joe and each of the women was…oh my word. I felt like I was grieving right alongside them. She wrote it so well and I could feel every moment of pain - and joy - that they were experiencing along their road trip.

Here We Go Again is a sapphic road trip rom com about death that will, not surprisingly, have you feeling all the feels. Alison Cochrun is a talented writer and I look forward to reading her next book - and going back into her backlist to catch up!

Content warnings: parental abandonment (before start of novel but addressed on the page), death, grief, cancer, hospice care, hospitals, reference to alcoholism

*An egalley was provided by the publisher, Simon & Schuster, via Edelweiss in exchange for review consideration. All opinions are honest and my own.*

Review: Death on the Lusitania

For all the historical fiction I read, I didn’t know much about the RMS Lusitania. I vaguely recalled something from history class telling me it sank but that was about it - I didn’t know when, how, or why. Enter Death on the Lusitania by R.L. Graham, a husband and wife author team. (Sadly, Marilyn Livingstone was diagnosed with pancreatic cancer and passed away while the book was being written.) This novel is the first in a historical mystery series and I was interested because the authors were born in Canada, I didn’t know much about the ship, I like historical mysteries, and, well, that cover! Isn’t it stunning? The story held between the gorgeous covers kept me interested and I really wasn’t sure whodunit until all was revealed!

Here’s the book’s description:

Welcome on board the Lusitania’s final voyage . . .
New York, 1915. RMS Lusitania, one of the world’s most luxurious trans-Atlantic liners, departs for Liverpool and war-torn Europe. Among those on board is Patrick Gallagher, a civil servant in Her Majesty’s government tasked with discreetly escorting a British diplomat back to England in relation to charges of suspected treason.
When a fellow passenger, Jimmy Dowrich, is found shot to death in his cabin, the captain asks Gallagher to investigate. Knowing something of the man’s past, Gallagher realizes that the problem will not be simple; and also, the body was discovered in a locked cabin with the key inside and no gun to be found.
Gallagher believes that one of his fellow passengers is a deadly killer. But many of those on board are harbouring secrets of their own, and his questioning reveals that several had a motive for ending Dowrich’s life. He fears that the killer could strike again to protect their true reasons for being on board and all the while, the ship sails on towards Europe, where deadly submarines patrol the war zone . . .

I liked that Graham chose to have a countdown to the sinking of the ship at the start of each chapter. A bit morbid, yes, but it amped up the tension that was already present in the novel in a really good way. You know the ship is doomed but, oh by the way, people are being murdered on board, too! As if the guests didn’t have enough to worry about, sailing into a warzone and all. That part did make me think about what I would have done in the guests’ position. Would I have still chosen to sail, knowing there was a very real chance a U-boat would torpedo the ship?

Since I didn’t remember much about the Lusitania other than it had sank at some point in history, I definitely didn’t know that there was a second explosion after the torpedo hit the ship and the reason for that second explosion has never been determined, at least not definitively. She was carrying ammunition, though she was not armed, so it’s possible that some of her cargo was the cause of the second explosion. Graham took that possibility and wondered, “what if this happened?” And this became Death on the Lusitania. They were clear from the outset that they were reimagining history, to an extent, and I appreciated both the note and their creativity.

The historical aspect may have charmed me ever so slightly more than the mystery in this novel, but that’s not to say I was unimpressed with the case. This is the set up to the start of a series starring Patrick Gallagher, who is, ostensibly, a civil servant for His Majesty’s government (something I realized while writing this review - the book's description says “Her” Majesty but there was a King on the throne in 1915, George V - grandson of Queen Victoria and grandfather of Queen Elizabeth II). With the Captain (the only real character in the book) slightly occupied with getting his ship through the war zone in one piece, he tasks Gallagher with figuring out who decided Dowrich wouldn’t live to see the ship’s destination. While I questioned some of Gallagher’s methods (sometimes it seemed like he was giving away too much, like, “Was it so-and-so who told you such-and-such?” and the suspect says, “Why, yes!” but…was it or did they just grab hold of a piece of information that’ll help them?), I still couldn’t put together who the murderer was. Part of me wonders if I couldn’t figure it out because it just wasn’t well done and was far too confusing. But I’m choosing to give Graham the benefit of the doubt since everything else was so well written.

Death on the Lusitania was a really solid start to a new historical mystery series. I don’t know if R.L. Graham will continue with the series now but I do hope to see another Patrick Gallagher mystery in the future.

*A copy of this novel was provided by the Canadian distributor, PGC Books, in exchange for review consideration. All opinions are honest and my own.*

Review: How to End a Love Story

Oh my word, friends. I may have found your next favourite romance. I was so incredibly invested in How to End a Love Story by Yulin Kuang. I couldn’t stop thinking about this debut romance when I wasn’t reading it. It is so angsty and so real with a Happily Ever After that had a lot of roadblocks in its way. It was emotional and wonderful.

Here’s the book’s description:

Helen Zhang hasn’t seen Grant Shepard once in the thirteen years since the tragic accident that bound their lives together forever.
Now a bestselling author, Helen pours everything into her career. She’s even scored a coveted spot in the writers’ room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer’s block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except…
Grant has done everything in his power to move on from the past, including building a life across the country. And while the panic attacks have never quite gone away, he’s well liked around town as a screenwriter. He knows he shouldn’t have taken the job on Helen’s show, but it will open doors to developing his own projects that he just can’t pass up.
Grant’s exactly as Helen remembers him—charming, funny, popular, and lovable in ways that she’s never been. And Helen’s exactly as Grant remembers too—brilliant, beautiful, closed off. But working together is messy, and electrifying, and Helen’s parents, who have never forgiven Grant, have no idea he’s in the picture at all.
When secrets come to light, they must reckon with the fact that theirs was never meant to be any kind of love story. And yet… the key to making peace with their past—and themselves—might just lie in holding on to each other in the present.

You should want to read this book just based on the description (and the fact that I’m telling you you should, ha!), but if you want some more encouragement: Kuang is the screenwriter who is bringing Emily Henry’s novels from page to screen. You like Henry’s books, right? Throw in some more emotional angst, and you get Kuang’s novel. You’re in for a treat. (And I’m also even more excited for Henry's novels' adaptations now!)

Knowing that Kuang is a screenwriter made the story feel even more real, given the plot revolved around Grant and Helen adapting Helen’s novel for TV. Funnily enough, though, I couldn’t picture this book as a movie or TV show. You know how sometimes you can clearly see how a book would translate to screen? I didn’t get that with this one. It’s perfect as a book. And I really liked the little peek into the world of screenwriting. It was fairly in depth without being overwhelming or boring.

Helen and Grant’s background is…a lot. It wasn’t insurmountable but a lot of therapy was going to need to be involved, which Kuang made sure to talk about in a positive light. Both of them had been going to therapy but clearly still needed some more help to get past the traumatic experience that tied them together so many years before. I don’t know what I would have done in their position but, let me tell you, I was feeling all the things while reading as they figured it out. Holy emotional. In the best way! Well, terribly difficult and awful emotions but done well in the book. Just…have tissues next to you and be kind to yourself when you read this one. (I’ll put the content warnings I personally noticed  down at the bottom of this review.)

I felt the characters of Helen and Grant were well-developed and I was fully invested in their lives. I needed them to work out their issues so they could be together but I didn’t know how they’d get there. Thanks to Kuang’s writing, I felt like I had a front row seat to their relationship but also to their careers. Figuring out their professional lives was more important to them, Helen especially, than whatever romantic feelings were being stirred up. It was the kind of balance I crave in romances and was so glad Kuang hit the right notes.

I absolutely loved How to End a Love Story by Yulin Kuang. This debut novel had me feeling all the feelings in the best way. I cannot wait to see what else Kuang writes.

Content warnings: grief, suicide, panic attacks, death of a family member, car accident

*An egalley was provided by the Canadian publisher, HarperCollins Canada, via NetGalley in exchange for review consideration. All opinions are honest and my own.*