Natasha Lester has become a Must Read author for me ever since I read her novel The Paris Secret at the end of 2020. I love how she approaches historical fiction and how she weaves (pun intended) fashion into her stories. The Disappearance of Astrid Bricard is her latest and it’s another winner.
Here’s the book’s description:
Three generations. One chance to prove themselves. Can the women of the Bricard fashion dynasty finally rewrite their history?There are some definite Daisy Jones and the Six vibes about this story but Lester’s novel is entirely her own. The focus is on fashion instead of music but the time period is similar, as is the gossip, sex, drugs, and rock and roll atmosphere. I wouldn’t say music or fashion are huge passions of mine but Lester, like Jenkins Reid, was able to hook me with a world I may never have read about. Which would have been a damn shame.
French countryside, Present: Blythe Bricard is the daughter of famous fashion muses but that doesn't mean she wants to be one. She turned her back on that world, and her dreams, years ago. Fate, however, has a different plan, and Blythe will discover there is more to her iconic mother and grandmother than she ever knew.
New York, 1970: Designer Astrid Bricard arrives in bohemian Chelsea determined to change the fashion world forever. And she does―cast as muse to her lover, Hawk Jones. And when they're both invited to compete in the fashion event of the century―the Battle of Versailles―Astrid sacrifices everything to showcase her talent. But then, just as her career is about to take off, she mysteriously vanishes, leaving behind only a white silk dress.
Paris, 1917: Parentless sixteen-year-old Mizza Bricard has made a to be remembered on her own terms. Her promise sustains her through turbulent decades and volatile couture houses until, finally, her name is remembered and a legend is born―one that proves impossible for Astrid and Blythe to distance themselves from.
Like Lester’s other novels, and many other historical fiction stories, this was a multi-timeline novel. I’m honestly getting a little over that…would we call it a trope? Storytelling choice? I don’t know why it’s been such A Thing in historical fiction but here we are. But Lester uses the three timelines well, for the most part. The bulk of the novel is dedicated to Astrid and Hawk during the seventies as their personal and professional lives collided in a spectacular explosion. Then there was Blythe in what the book’s description calls “present” but is actually the 2010s (I want to say 2012?). Finally, Lester introduces Mizza in 1917 and follows her through both World Wars, focusing on what she was involved in during WWII.
Mizza’s storyline is where things got a bit muddled which is interesting since, of all the characters, she’s the only person who actually existed. Lester notes at the end that much of Mizza’s background is unknown and, like a lot of French women who lived through World War II, she never spoke of what happened during that time. I don’t really mind when authors take liberties with real people, and I don’t think that was my issue with Lester’s treatment of Mizza. As intrigued as I was with Mizza and how the Bricard dynasty began, I felt like it was a totally separate story and didn’t quite mesh with Astrid and Blythe’s story.
I never, ever feel like Lester does an info dump in her novels, which is surprising since there is always so much new-to-me information in her stories! I love love love how passionate she is about fashion and how she inserts interesting (and relevant) details into her novels about the world of fashion. She does her research on other historical tidbits too which make the novels feel authentic and such a joy to read.
The Disappearance of Astrid Bricard isn’t going to usurp The Three Lives of Alix St. Pierre as my favourite Natasha Lester novel but that doesn’t mean it’s not a great read. I still loved it! Other historical fiction lovers will find a story that is interesting, emotional, informative, and entertaining all at once. I definitely recommend it!
*An egalley of this novel was provided by the publisher, Forever, via NetGalley in exchange for review consideration. All opinions are honest and my own.*