Here's the book's description:
North Devon is enjoying a rare hot summer with tourists flocking to its coastline. Detective Matthew Venn is called out to a rural crime scene at the home of a group of artists. What he finds is an elaborately staged murder--Dr Nigel Yeo has been fatally stabbed with a shard of one of his glassblower daughter's broken vases.
Dr Yeo seems an unlikely murder victim. He's a good man, a public servant, beloved by his daughter. Matthew is unnerved, though, to find that she is a close friend of Jonathan, his husband.
Then another body is found--killed in a similar way. Matthew soon finds himself treading carefully through the lies that fester at the heart of his community and a case that is dangerously close to home.
From the start I found the writing to be a bit choppy with quick sentences and the like. There was something else niggling at me and I realized partway through what it was: it was reading more like a screenplay than a novel. And not in a good way. You know when you read a book and can perfectly picture it as a movie? That's fine. But with this one, it was like it was being written with the intention of becoming a show. And guess what? It is going to be a new series, just like Cleeves' other works (Shetland and Vera). I just went down a rabbit hole of searching the actors in the show and Venn actually looks pretty much exactly like I pictured - but isn't necessarily what was described (there's no grey hair, for example). Anyway. I feel like the hope was always for it to be a film or tv show and that's how it was written and that, apparently, is a bother to me. But will I watch it? Oh, 100%.
But back to the second novel. It's told in third person with most of the story coming from Matthew's perspective. His officers, Jen and Ross, also have their own storylines, both within and outside of the case. Jen's made the most sense since she had seen the first victim at a party the night before he was killed. Ross's side storyline didn't seem to fit at all - it was just like Cleeves wanted to make sure the reader knew he had a life outside of work but it felt shoehorned into the story. Having them each work on the case gave the reader the chance to try to puzzle out the clues with each police officer. All three of them work in different ways, which is so interesting from both a character and a work ethic perspective.
Speaking of working out the clues - the reader isn't given the full insight into Jen's suspicions at the end. Which I kind of loved! I had absolutely no idea what she had connected and couldn't wait to see everything fall together at the end. The end was a little bit of an "evil villain wants to talk all about their accomplishments" scenario, which I don't find super realistic, but I was still reeling from finding out who the murderer was.
The pace of the mystery was good. I never felt like things were being slowed down or that unnecessary details were thrown in. Even when seemingly unrelated information was brought up, I could see how, maybe, it might tie into the murder investigation. I definitely wanted to keep reading, and quickly, to see how it all ended.
I love the setting of this series too. It takes place in North Devon, somewhere I've never been and likely never will get to visit. But I love the English-ness of it. Perhaps even more so these days as I've been stuck in basically one region of my province for a year. Bring on the armchair travel! Even with a side of murder! (Not real murder, please and thank you.)
The Heron's Cry didn't necessarily wow me but I was still super invested in Ann Cleeves' latest novel. Crime mysteries are so interesting to read, for me personally and in moderation, and I'll definitely be picking up the third book in the Two Rivers series as soon as it's released.
My review of The Long Call is here.
*An egalley of this novel was provided by the Canadian distributor, Publishers Group Canada, in exchange for review consideration. All opinions are honest and my own.*
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